An anthology of Harry Smith's films 1-5, 7, and 10, unfortunately without the divisions clearly marked. 　　 　　Harry Smith 　　 　　 　　Harry Smith (1923-1991) Groundbreaking avant-garde filmmaker, visionary painter, music producer, linguist, occult historian and philosopher, student of Native American lore, compulsive collector, and cosmological polymath, Smith was an uncategorizable yet distinctly American figure. 　　 　　Born in Portland, Oregon, Smith came from a Masonic and Theosophical family whose bizarre predilictions primed him for what was to become a lifelong obsession with the metaphysics of extremity. By the age of 15 he was in direct contact with Native American culture and ritual, as he studied and interacted with the Lummi and Salish Indians of the Pacific Northwest. 　　 　　Smith lived in the Bay area from the mid-'40s until 1951, collecting records, painting, mastering the hand-painted film, and breaking serious ground in the then-nascent medium of substance abuse. He studied the correspondence between sound and color (largely neglected since Goethe, though touched upon by Scriabin et al.) and began working intimately with jazz musicians such as Charlie Parker, Thelonious Monk, and Dizzy Gillespie. He came to New York in 1951 and continued his explorations in art, music, esoteric knowledge, and fomenting large-scale hoopla. 　　 　　Smith is best known for compiling the epochal 1952 Anthology of American Folk Music, which fertilized the ovum of Rock 'n' Roll (as recent tests have shown). He also produced 1965's frug-inducing The Village Fugs (with the usual consequences), Allen Ginberg's harmonium-fuelled yodel of buggery, First Blues, and that still-unknown quantity of mischief, The Kiowa Peyote Meeting (all available in exchange for money from Smithsonian Folkways Records), while staying up for days in the Chelsea Hotel and enjoying the largesse of "many a corporate Maecenas." 　　 　　Smith's lunatic heterodoxy of interests resulted in collections of Seminole quilts, paper airplanes, Ukrainian Easter eggs, and string figures. Smith spent his last years holding forth as "shaman-in-residence" at Naropa Institute. In 1991 he staggered onstage to receive a Grammy for his contributions to American folk music. Smith died at the Chelsea Hotel in November 1991.

Chae-yeon, who has never been in a relationship, secretly has a crush on Nam-gyoo, the president of her company, and practices kissing in front of the mirror every day. One day, Chae-yeon musters up her courage and asks Nam-gyoo to kiss her, but Nam-gyoo avoids her, promising her next time. But in fact, Nam-gyoo has never kissed properly before, so he goes to take kissing lessons to fulfill Chae-yeon's request.

The world has been reduced to rubble by a massive earthquake. While no one knows for sure how far the ruins stretch, or what the cause of the earthquake may be, in the heart of Seoul there is only one apartment building left standing. It is called Hwang Gung Apartments. As time passes, outsiders start coming in to Hwang Gung Apartments trying to escape the extreme cold. Before long, the apartment residents are unable to cope with the increasing numbers. Feeling a threat to their very survival, the residents enact a special measure.

Explores the unexpected lives of the animals from the gritty Concrete Jungles of America, from bobcats to crows to coyotes to squirrels and more.

After an apocalyptic earthquake, the only remaining apartment complex turns into a market where survivors buy and sell whatever it takes to survive.

A disabled teenager forms an unlikely relationship with a troubled young man on the streets of New York City.

Explores the unexpected lives of the animals from the gritty Concrete Jungles of America, from bobcats to crows to coyotes to squirrels and more.

A grounded, whimsical tale that explores grief, loss, and the dichotomy of inspirational stories we are told as children in relation to adult, real-life problems.

AN INJURY TO ONE provides a corrective—and absolutely compelling—glimpse of a particularly volatile moment in early 20th century American labor history: the rise and fall of Butte, Montana. Specifically, it chronicles the mysterious death of Wobbly organizer Frank Little, a story whose grisly details have taken on a legendary status in the state. Much of the extant evidence is inscribed upon the landscape of Butte and its surroundings. Thus, a connection is drawn between the unsolved murder of Little, and the attempted murder of the town itself. 　　Butte's history was entirely shaped by its exploitation by the Anaconda Mining Company, which, at the height of WWI, produced ten percent of the world's copper from the town's depths. War profiteering and the company's extreme indifference to the safety of its employees (mortality rates in the mines were higher than in the trenches of Europe) led to Little's arrival. "The agitator" found in the desperate, agonized miners overwhelming support for his ideas, which included the abolishment of the wage system and the establishment of a socialist commonwealth. 　　In August 1917, Little was abducted by still-unknown assailants who hung him from a railroad bridge. Pinned to his chest was a note that read 3'-7'-77", dimensions of a Montana grave. Eight thousand people attended his funeral, the largest in Butte's history. 　　The murder provides AN INJURY TO ONE with a taut, suspenseful narrative, but it isn't the only story. Butte's history is bound with the entire history of the American left, the rise of McCarthyism, the destruction of the environment, and even the birth of the detective novel. Former Pinkerton detective Dashiell Hammett was rumored to have been involved in the murder, and later depicted it in Red Harvest.

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